The City of Bristol's Backyard Wine Gardens: Foot-Stomping Grapes in City Gardens
Each quarter of an hour or so, an older diesel railway carriage pulls into a spray-painted station. Close by, a law enforcement alarm cuts through the near-constant road noise. Daily travelers rush by collapsing, ivy-covered fencing panels as rain clouds gather.
It is perhaps the least likely spot you anticipate to find a well-established vineyard. However James Bayliss-Smith has cultivated four dozen established plants heavy with plump mauve grapes on a sprawling garden plot situated between a line of 1930s houses and a local rail line just north of Bristol town centre.
"I've seen individuals hiding illegal substances or other items in those bushes," states Bayliss-Smith. "Yet you just get on with it ... and keep tending to your vines."
The cameraman, forty-six, a filmmaker who runs a kombucha drinks business, is among several local vintner. He has pulled together a informal group of growers who make wine from several hidden city grape gardens nestled in back gardens and community plots across Bristol. The project is too clandestine to have an official name yet, but the collective's messaging chat is called Grape Expectations.
City Wine Gardens Around the Globe
So far, the grower's allotment is the sole location registered in the Urban Vineyards Association's upcoming world atlas, which includes more famous city vineyards such as the 1,800 plants on the hillsides of the French capital's renowned artistic district neighbourhood and over 3,000 grapevines overlooking and within Turin. The Italian-based non-profit association is at the forefront of a movement re-establishing city vineyards in historic wine-producing nations, but has identified them throughout the world, including urban centers in Japan, South Asia and Central Asia.
"Grape gardens help cities remain greener and ecologically varied. They protect land from construction by creating permanent, productive agricultural units within cities," says the association's president.
Similar to other vintages, those created in cities are a result of the earth the plants thrive in, the vagaries of the climate and the people who care for the fruit. "A bottle of wine embodies the charm, community, environment and history of a urban center," adds the spokesperson.
Unknown Polish Variety
Back in the city, the grower is in a race against time to gather the vines he cultivated from a cutting abandoned in his garden by a Polish family. If the precipitation arrives, then the birds may seize their chance to attack once more. "Here we have the enigmatic Eastern European variety," he comments, as he removes damaged and mouldy grapes from the shimmering bunches. "We don't really know their exact classification, but they're definitely disease-resistant. In contrast to noble varieties – Pinot Noir, Chardonnay and additional renowned French grapes – you don't have to treat them with chemicals ... this could be a unique cultivar that was developed by the Soviets."
Group Efforts Throughout Bristol
The other members of the group are additionally taking advantage of sunny interludes between showers of fall precipitation. At a rooftop garden overlooking the city's shimmering waterfront, where medieval merchant vessels once floated with casks of vintage from France and the Iberian peninsula, one cultivator is collecting her rondo grapes from approximately 50 vines. "I adore the aroma of the grapevines. It is so evocative," she says, stopping with a basket of grapes resting on her arm. "It's the scent of Provence when you open the car windows on holiday."
The humanitarian worker, fifty-two, who has spent over two decades working for charitable groups in war-torn regions, inadvertently took over the grape garden when she returned to the UK from East Africa with her household in recent years. She felt an overwhelming duty to maintain the vines in the yard of their new home. "This plot has already endured three different owners," she says. "I deeply appreciate the concept of environmental care – of passing this on to future caretakers so they can keep cultivating from the soil."
Sloping Gardens and Traditional Production
Nearby, the remaining cultivators of the collective are hard at work on the steep inclines of the local river valley. One filmmaker has cultivated over 150 plants perched on ledges in her expansive property, which descends towards the silty local waterway. "Visitors frequently express amazement," she notes, indicating the interwoven vineyard. "It's astonishing to them they are viewing grapevine lines in a city street."
Currently, the filmmaker, sixty, is harvesting bunches of deep violet Rondo grapes from lines of plants slung across the hillside with the help of her daughter, Luca. Scofield, a wildlife and conservation film-maker who has contributed to streaming service's nature programming and television network's gardening shows, was inspired to cultivate vines after observing her neighbor's grapevines. She's discovered that amateurs can produce intriguing, enjoyable traditional vintage, which can sell for upwards of £7 a serving in the increasing quantity of establishments specialising in low-processing wines. "It is incredibly satisfying that you can actually make good, traditional vintage," she says. "It is quite fashionable, but really it's reviving an traditional method of producing vintage."
"During foot-stomping the grapes, the various wild yeasts come off the surfaces and enter the juice," explains Scofield, partially submerged in a bucket of tiny stems, pips and crimson juice. "That's how vintages were made traditionally, but commercial producers add sulphur [dioxide] to kill the natural cultures and subsequently incorporate a lab-grown culture."
Difficult Environments and Creative Solutions
A few doors down active senior Bob Reeve, who inspired his neighbor to establish her vines, has gathered his friends to pick Chardonnay grapes from the 100 vines he has laid out neatly across two terraces. Reeve, a Lancashire-born PE teacher who worked at Bristol University cultivated an interest in viticulture on regular visits to France. But it is a challenge to grow Chardonnay grapes in the dampness of the valley, with cooling tides sweeping in and out from the Bristol Channel. "I aimed to make French-style vintages here, which is a bit bonkers," says the retiree with amusement. "Chardonnay is slow-maturing and very sensitive to mildew."
"I wanted to make Burgundian wines in this environment, which is rather ambitious"
The temperamental local weather is not the only challenge encountered by grape cultivators. Reeve has had to erect a fence on